I'm still learning how to be comfortable touring. I haven't found that balance yet.
I try to focus on the melodies and try to make everything else minimal. The melody and the lyrics are most important to me.
I'm getting bored performing the same songs over and over. Songwriting comes and goes.
I'm really out of touch with myself emotionally. I've always had a hard time talking about how I feel.
Honestly, live is my favorite way of performing. Every show is a completely different energy.
I'm trying to learn how to cook.
I'm not a down-in-the-dumps person. I think some people assume that I am because of the music I write.
I'm a really strong person. I've no regrets in my life.
Every time I re-perform a song, I gain some perspective.
I realized that there's this fine line between being personal and being general and being alienating.
I always write from a personal place - whether it be about my friends or myself or a story that I heard.
Sadness isn't an emotion that most cool bands want to talk about.
When I write, it's to heal. It's my own self-therapy so that I don't actually feel sad all of the time.
I'm a lot more secure than I used to be.
Music is still my main thing, but I will explore anything that's interesting and challenging.
Just getting older, you stop caring what other people think, but also, you know who you are, and you know what you want.
I didn't have my first band until I was, like, 30.
My goal is to become a therapist by the time I'm 50.
I hate the term 'emo.' It turned into this genre of music, when all music, if you connect with it, is emotional.
My career is based off of me talking about my emotions.
I'm a sucker for a love song!
Half of my anxiety is about whether people are going to like me.
I love how small the world is.
'Imperfiction' will forever be one of my favorite records and moments in time.
'The Boatman's Call' is amazing; it's an album of love songs, really beautiful.